UPDATE: Several people have asked if I’m singing lead. For some reason I assumed that was a given. Yes, I am.
If anything positive came from being bedridden for over a month, which I was, it’s this: it gave me time to learn (in a rudimentary way) how to link images and sound. It also gave me time to collect and save images to illustrate this song demo, which I wrote, arranged, and recorded in 1977.
The song, “Downtown Boys,” got a good reception around the NYC music scene back then. It also found its way onto Italian underground radio, where (according to a postcard I received back then) it was a hit in Rome.
I played rhythm guitar, Dan Couse played bass and piano, and Joe Quesada engineered and played drums. I wanted two female backup singers and Joe found them; unfortunately, I don’t have their names. John Scherman, who became well-respected on the NY alternative scene, played lead guitar. My brother John’s band Cakewalk did a great version that was much more soul-driven than mine.
Hope you enjoy the demo. What struck me in hearing it again was the theme, which covers what we now call “cultural appropriation” — in this case, how white people appropriated and exploited Black Harlem culture. My father and uncle grew up in New York City and were among the many white kids, especially children of immigrants, who hung out there. The Harlem of the 1970s was far less hospitable to that sort of cultural tourism, although a vigorous cross-cultural music scene had thrived for fifty years in New York. Hence the song …
(That’s me in the thumbnail image above, performing live with my friend Cassie Callan back in the day. She was in the band, although she doesn’t appear on this recording. I think I was going for a Kid Creole & the Coconuts kind of look — speaking of cultural appropriation.)
I collected a lot of pictures of the Harlem Renaissance and its jazz greats for this video, along with a few images of white jazz players (also great), some culture tourists and a few random zoot suiters. I’ve also thrown in a few shots of my dad, mom, and uncle.
As for why I was bedridden … well, the bad thing finally happened. I caught Covid, which doctors had been warning me about for a long time due to chronic disease. Then I got rebound Covid, and then a severe infection which was almost certainly pneumonia. I can’t be sure, because no radiology office would see me while I was testing positive. The only way to get a chest X-ray would have been by going to the emergency room, which was a nonstarter because a) I was far too weak, and b) in my weakened state, I thought the ER would be a Petri dish for other infections. The first antibiotic didn’t work, but the second one did.
I missed a couple weeks of recording The Zero Hour. Then came a couple weeks of crawling out of bed to do the show, after which I would sleep for a day or two.
I had a lot of things I wanted to write about while I was sick, so I have a major backlog of story ideas. I’m still easily fatigued and have to rest a lot, but with any luck* I’ll be writing a lot more in the days and weeks to come.
*Luck, that is, if you enjoy reading what I write. I make no assumptions in that regard.
Well, I’m sure glad that you’re doing better. You must be since you’re writing and recording again ,wish you a speedy recovery!
Thank you!
Yay! Glad you got my reply. I just touched base with Tina when I was in NM last week (she lives in Santa Fe)-so glad we are still friends. Most of my many sibs went to RCDS so I remember you, plus I remember your father’s longtime leadership at RCC where I (and , of course, Joe Q) ended up teaching. I don’t have too much of my music available online…I kinda dialed that back decades ago when I went full bore in the visual arts and teaching. In recent years I played with Michelle Solomon in an acoustic duo and I might be able to find some links to that. I really ought to convert some old Broken Toys (my old band) live video to digital and post. I am currently getting together with an old band and songwriting partner from my badass band days and we are doing an acoustic duo. The real cool thing recently was Tina doing a nationwide reunion tour (last year) with her all girl thrash metal band (Meanstreak-their oeuvre is definitely available on YouTube). Grab your earplugs-you have been warned…They were a juggernaut back in the late 80’s-90’s. Even decades later I am still scratching my head, associating her gentle Skunk Hollow roots with the sheer sonic onslaught but, hey, fucking girl power, baby!!
I’ll go look for some links to me singing/playing. Btw, I love your blog. I have become, in retiring from teaching, something of an angry local progressive Dem operative and your pov is refreshing and spot-on.
Pamela Hudson and Tina Campagna! The mystery of your background singers has been solved! We both went on to our own many splendors musical accomplishments of our own. This song was our first recording date ever, I think!! I was so thrilled when Tina sent me the link. I still knew all the words! And yes, We both went to RCDS!
Hi!! I'm so glad you told me! And I remember you, so I don't know how I forgot! Nice to hear from you. Where can I hear your music?
I loved hearing this, oh the mighty 70s! On a sad note, speaking of long covid, AA, and such, Jeremy passed away in January. The final diagnosis was sepsis and organ failure. I was with him as his hospice nurse at his home for the last 6 weeks which was heartbreaking but I am so grateful that I could hold and help him. It is an agonizing time for me now but I have great support. Glad you are better, Peace and Love, Cindy Wells
Oh, Cindy, I’m so sorry to hear. I have such fond memories of him. Sending you much love and light. I’m glad the video brought some joy.
I very much enjoy the newsletter and I love The Zero Hour with Richard Eskow! Sorry to hear about the COVID, I hope it is gone soon, take good care!
Thank you!